Second natures

In these latest works, logos, virtual elements, matter, and reproduction merge into a series of hybrid compositions, where painting engages with the grainy and unsettling textures of screenshots and digital collages (made on the phone). Through these intersecting assemblages, I fragment and recompose images from my digital archive, while the painterly intervention completes their meaning by connecting or erasing their features. The distinction between object and reproduction, natural and artificial, true and false dissolves, converging into solutions that transcend the boundary between digital and analog.